Psychology 3215 Perception - Fall 2014 |
Smith Wright 310F Office Hours: 12:00 - 1:30 MTWR, and by appointment phone: 262-2272 x-436 email: [email protected] Textbook: S. Yantis (2014). Sensation & Perception. Online material: www1.appstate.edu/~kms/ Description of the course: This is an introductory survey course on perception. Historically, the study of perception is one of the first areas to emerge in psychology, and is concerned with the question of how we know the world. Answers involve being able to bridge three topic areas: a description of the physical stimulus (what is light? What happens when light rays strike an object and are reflected toward you?), how our bodies react to that stimulus (what happens when those reflected light rays hit the back of our eyes?), and the relation of both of those to our perceptual experience (What a delicious looking apple!). So be prepared to do skipping back and forth as we will integrate physics, physiology, and phenomenology. The course is broken into four sections. The first section is concerned with the psychophysical method. This sections covers the methods by which people establish the relationship between physical events and subjective experience. The psychophysical method is both a philosophy about how to think about the world and a set of techniques derived from that philosophy. Next we will move to vision, the most investigated system. We will begin with some basic physiology and then move into an analysis of brightness, color, and form. In the next section, we will examine the perception of space, motion, and form (again). In the final section, we will cover audition, the next most investigated system. In all cases we will be connecting 3 descriptive systems-- physics, physiology, and the perceptual experience-- to understand the tasks and goals of the perceptual system.. One of the fun aspects of studying perception is that the effects are easy to see with just one subject, and that subject can be yourself. SO I do many mini-experiments/demonstrations in class. I put the demonstrations and figures on my website so that you can look at them at other times. Plan on visiting my website often. Go to http://www1.appstate.edu/~kms and click on the link to this class. The "Topics" link will take you to the in-class material. The class schedule below is a brief version of the topics webpage. Go to the topics webpage to see all the details. There are many more links than we will use in class. Some are there for fun and some are there so that I can respond to questions. I will point out the important links as we go through the material. Do not treat the webpage as a PowerPoint slide show.You may want to print the complete topics page out so that you can make notes about the flow of the course. Tests, grades, and your busy schedule: There will be four multiple-choice tests during the semester. The percent correct for each test will be averaged across the four tests to compute your final grade. I will post a study guide and there will be a question and answer period preceding each test. Come prepared and use it to your advantage. There is an optional multiple-choice final exam. Your final grade is based on the average of 4 exams. If you have taken 4 exams and are happy with your grade then you do not have to take the final exam. If you have taken 4 exams during the semester, and the final exam, then your grade will be based on your 4 highest scores. If you miss an exam during the semester then the final exam serves as the "make-up" exam. You can only make-up one exam. The final letter grade will be assigned on a 10- point scale (100-90, A; 89-80, B; 79-70, C; 69-60, D; below 60, F). Pluses and minuses will be assigned for averages that are 2 points from a higher or 2 points from a lower grade (e.g., C+ for a 78 or 79, C- for a 70 or 71). Finally, remember that your grade is a measure of your performance and not whether I like you, how smart you are, how busy you are, etc., etc. Save yourself time wasted in groveling for points. Attendance, classroom behavior, and life: I will call attendance for the first few classes so that I can connect names with faces. I don�t record daily attendance because I assume that you are adults, and will only miss class when absolutely necessary. If you skip class then you will likely do miserably or fail tests. This is no joke. I make up the tests based on what happened in class. I test in detail on what I think the class should know. If you skip class and fail tests then I will have no sympathy. I will record attendance some variable number of times during the semester. If you are there 3/4 of the time or more then you will get a Woody Allen Award of a point on your final grade. (Woody Allen said, "Ninety percent of success is just showing up on time.") Please, Please, Please ask questions. Don�t let the moment of confusion pass by. Don�t worry about the rest of the class, your job is to make sure that you understand. |
Psychology 3215 Perception - Fall 2014 |
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Course Requirements, etc. | ||
Fechner: The mind-body problem and the importance of the absolute threshold Classical Psychophysical Techniques Your Textbook: 20 - 23 |
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Difference thresholds & Weber's Law Your Textbook: 24 - 26 |
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8/27 |
Weber's Law vs. Fechner's Law Your Textbook: 27 |
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Magnitude estimation & Stevens' Power Law Your Textbook: 27-28 |
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9/1 |
M |
State Holiday |
Signal Detection Theory Separating Strategy from Sensitivity Your Textbook: 32-40 |
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Signal Detection Theory |
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Question & Answer/Review [ Study Guide ] |
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Test 1 |
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Test 1 Results |
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What is light? ---------------------------------------------------------------------- Everything you wanted to know about the Vertebrate Retina Your Textbook: 46-59 |
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9/15 |
M |
Structure of Eye continued |
Duplex Retina Purkinje Shift Your Textbook: 76-79 |
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Brightness Constancy & Brightness Contrast Simultaneous Brightness Contrast Lateral Inhibition Your Textbook: 73-75, 177-180 |
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Color The Munsell System of Color Notation Your Textbook: 153-160 |
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Mechanisms of Color Young-Helmholtz Trichromatic Theory Hering - Opponent Process Theory Your Textbook: 153-174 |
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Color Blindness and Color Deficiencies Your Textbook: 180-182 |
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Color Contrast and Color Constancy Return to Issue of Source of Illuminance Edwin Land - Mondrian Experiments Chromatic Illuminance vs. Reflectance Your Textbook: 175-177 |
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Finding Edges vs. Filling In |
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Question & Answer/Review [ Study Guide ] |
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TEST
2 |
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Test 2 Results |
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Space, Distance, & Depth - Binocular Cues The Horopter and Retinal Disparity Your Textbook: 203-206 |
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Manipulation of Binocular Cues
to Produce Bela Julez and the Random Dot Stereogram Your Textbook: 207-210 |
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10/13 |
M |
Space, Distance, & Depth - Monocular Cues Ames Room (2 Mb QT Movie) Richard Gregory "Inappropriate Scaling" Theory Your Textbook: 190-198 |
Perception of Movement Autokinetic Effect Your Textbook: 241-245 |
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10/17 |
F |
Fall Break |
Your Textbook: 200-202 |
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10/22 |
W |
Stroboscopic Motion: Beta vs. Phi and MagnaPhi Beta Motion - Unconscious Inference Stroboscopic Motion: Wagon wheel Illusion Phi Motion (Happy Fechner Day!!) |
Form The Gestalt Psychologists and Von Ehrenfels Rubin's Vase - Figure/Ground Organization The Problem of Prediction Your Textbook: 117-138 |
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Question & Answer/Review [ Study Guide ] |
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10/29 |
W |
TEST
3 |
Test 3 Results |
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AUDITION: Parallels and Differences |
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Physics of Sound A general problem for the hearing system Your Textbook: 288-291 |
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Auditory Physiology Outer Ear Your Textbook: 297-306 |
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Auditory Physiology & Pitch Helmholtz - The inside of a piano Wever & Bray (1937) - Volley Principle Your Textbook: 307-313 |
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11/7 |
F |
Damaged Hearing Example Audiogram showing Sensorineural Loss Example Audiogram showing Conductive Loss Otoacoustic Emissions Your Textbook: 313-320 |
Psychophysics of Pitch and Loudness Equal Loudness Contours (Sound Demo) Amplitude-Frequency Shift (Equal Pitch Contours) Your Textbook: 291-293 |
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Sound Localization Interaural Intensity Difference - Frequency & Intensity Head Motion Your Textbook: 329-337 |
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11/17 |
M |
Auditory Scene Analysis Principles of Auditory Grouping: Your Textbook: 341-349 |
Music Pitch Perception Guitar Note (a closer look) Timbre The Missing Fundamental Effect Your Textbook: 294-297 |
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11/21 |
F |
Pitch as a linear scale - Piano Keyboard Your Textbook: 373-375 |
11/24 |
M |
Consonance & Dissonance Prediction of Consonance and Dissonance: Your Textbook: 376-377 |
Interactions Between Hearing & Seeing Visual Capture Your Textbook: 367-368 |
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11/26 |
W |
Thanksgiving Break |
11/28 |
F |
Thanksgiving Break |
12/1 |
M |
Question & Answer/Review [Study Guide ] |
TEST 4 |
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12/5 |
F |
How to prep for Final Exam, Final Q &A |
12/11 |
Th |
Final Exam 3:00-5:30 |